Save the MA Curatorial Practice Programme
University of Bergen

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Norsk:

Fakultet for kunst, musikk og design ved Universitetet i Bergen har foreslått for universitetsstyret å legge ned masterprogrammet i kuratorpraksis. Forslag om nedleggelse av masterprogrammet i kuratorpraksis

Dette er et unikt, mobilt og internasjonalt masterprogram som har etablert seg i samtidskulturfeltet gjennom 10 år. Det er også den eneste kuratorutdanningen som finnes i Norge. MA i kuratorpraksis

Med sitt fokus på praksis, etikk og eksperimentering har studiet tiltrukket seg et rikt mangfold av kandidater, som ofte har kunnet kombinere utdanningen med lønnet arbeid eller freelancearbeid.

Programmet tar for seg lokale, nasjonale og internasjonale kontekster med en sterk tilknytning til det profesjonelle kunstfeltet. Det er en spesiell modell for kuratorutdanning, og suksessen kan spores i prestasjonene til programmets alumner og deres vedvarende engasjement for programmet.

Siden etableringen i 2015, på bakgrunn av en grundig praksisbasert forskningsprosess i form av et pilotprogram fra 2004 til 2014, har den pedagogiske modellen vist seg å være relevant for mange.

MA-programmet har vist seg å være en verdifull forsknings-og kunnskapsutvekslingsplattform for mange typer kuratoriske praksiser innenfor samtidsmusikk, performance og teater, i tillegg til visuell samtidskunst.

Dersom fakultetets forslag skulle bli vedtatt av universitetsstyret, vil styret kaste vrak på denne lange perioden med satsing og utvikling av et tverrfaglig studieprogram uten noen faglig begrunnelse.

Vi forstår at universitetet setter sin ære i å ta vare på mangfoldet av fagdisipliner og bidra til at uteksaminerte kandidater har relevant kunnskap og erfaring for et bredt spekter av roller i samfunnet. Vi ber styret sette handling bak disse ordene.

Vi erkjenner også at kuratorutdanningene i mange europeiske land er truet av nedleggelse, og vi vil derfor sterkt oppfordre universitetsstyret til å motarbeide denne trenden. Vi håper styret vil støtte dette viktige programmet med tilstrekkelige ressurser og et vedvarende intellektuelt engasjement. Kunnskapen og erfaringen som er utviklet i Bergen må ikke forvitre på grunn av kortsiktige omprioriteringer som dette uforståelige forslaget om å legge ned studiet.

De undertegnede oppfordrer universitetsstyret ved Universitetet i Bergen til å bevilge tilstrekkelige ressurser slik at dette viktige studietilbudet kan leve videre.

English:

The Faculty of Fine Art, Music and Design at the University of Bergen has proposed to the University Board to discontinue the MA in Curatorial Practice. Proposal to Close Ma in Curatorial Practice

This is a unique, mobile and international MA programme that has established itself in the field of contemporary culture over 10 years. It is also the only curatorial education available in Norway.  MA in Curatorial Practice

With its focus on practice, ethics and experimentation, the course has attracted a rich diversity of candidates who have often been able to combine education with continuing paid work or as freelancers.

The programme addresses local, national and international contexts with a strong connection to the professional art world. It is a special model of curatorial education, and its success can be seen in the achievements of its alumni and their ongoing commitment to the programme.

Since the establishment in 2015, on the back of a thorough practice-based research process in the form of a pilot programme from 2004 to 2014, its pedagogical model has proven to be relevant to many.

The MA programme has proved its value as a research and knowledge exchange platform for many kinds of curatorial practices belonging to the fields of contemporary music, performance and theatre, in addition to contemporary visual art.

Should the Faculty’s suggestion be adopted by the University Board, the Board will throw out this long period of investment and development of a transdisciplinary study programme without any academic justification.

We understand that the University prides itself on caring for diverse disciplines and supporting graduate candidates with relevant knowledge and experience for a wide variety of roles in society. We ask the Board to put your actions behind these words.

We further recognise that curatorial education programmes in many European countries are under threat of closure and therefore want strongly to urge the University Board to resist this trend. We hope the Board will support this important programme with proper resources and an ongoing intellectual commitment. The knowledge and experience developed in Bergen should not be eroded by short sighted shifts of attention such as this incomprehensible proposal to close the course.

The undersigned call on the University Board of the University of Bergen to allocate sufficient resources to allow this important study programme to flourish.


SIGNATURES
Ann
Edvartsen Hay
Felipe
R Pena
Hilde Marie
Munroe
Hilde
Methi
Victoria
Bugge Øye
Constance
Tenvik
Ekaterina
Sharova
Elisabeth
Byre
Hanan
Benammar
Christine
Hammer Krokstrand
Jaleesa
Johnston
Nicolay
Aamodt
Linda
lerseth
Åse
Løvgren
Aleksander
Nærbø
Vebjørn
Guttormsgaard Møllberg
Charlotte Bik
Bandlien
Dina Dignæs
Eikeland
Marianne
Hultman
Bjarne
Asp
Bernhard
Bratsberg
May Lisbeth
Grønli
Henrik
Nordahl
Ove
Kvavik
Ida
Moen
Markus Li
Stensrud
Solveig
Granberg
Mari Kolsrud
Hustoft
Ingeborg
Aarsand
Pedro
Gomez Egana
Emma
Louise Gjerde
Roderick
Hietbrink
Drew
Snyder
Lily
Vikki
Aurora
Hirsch Steffens
Ingvild
EVjemo
Zeenat
Waaler
Kristoffer Dolmen
Kristoffer Dolmen
Grethe
Hald
Rick
Herron
Madeleine
Park
Vidar
Koksvik
Tommy
Olsson
Anna
Jakobsson
JEPKORIR ROSE
KIPTUM
Gilda
Axelroud
Øystein
Schmidt
Cathrine
Nordkvist
Anders
Kreuger
Maia
Urstad
Espen
Johansen
Siri
Skjerve
Putte Helene
Dal
Syafiatudina
Syafiatudina
rachael
fernandes
Geir Tore
Holm
Ana Maria
Bresciani
Anne-Mari
Syre
Sara
Skotte
Hans Hamid
Rasmussen
Camilla
von Køppen
Frances
Morris
Trond Hugo
Haugen
Sissel
Lillebostad
Selene
Wendt
Banji
Chona
Grethe
Melby
Tessa
Giblin
Benjamin
Slotterøy
Line
Halvorsen
Ann Kristin
Aas
Shruti
Ganguly
Soheil
Nabi
Siri
Opheim
köken
ergun
Manuela
Moscoso
Hege
Henriksen
Andreas
Angelidakis
Geir Egil
Bergjord
Mari
Kolbeinson
Jonatan Habib
Engqvist
Antonia
Majaca
Valentinas
Klimasauskas
Gertrude
Flentge
Jørgen
Lund
Mai
Hofstad Gunnes
Vit
Havranek
Martin
Midtbø Rokkones
brigit
arop
Lena
Malm
Eliel
Jones
Sara
Rossling
Ute Meta
Bauer
Noor
Bhangu
Fanny
Gonella
irina
botea
Irina
Bucan
Gabriel Johann
Kvendseth
Rike Frank &
Vanessa Joan Müller
Simen
Stenberg
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Signatures / Comments
Jussi
Koitela
-
Director, M-Cult
comments
Karl Gunnar
Øen
-
artist
comments
Marit
Flåtter
-
Redaktør
comments
Kristin
Austreid
-
Artist
comments
Çelenk
Bafra
-
Artistic Director
comments
Jenny Sofie
Abrahamsen
-
Student
comments
André
Karlsson
-
artist
comments
Harald Lunde
Helgesen
-
Designer
comments
Andrea
Spreafico
-
Writer and director (performing art) / associate professor at BAS (DAV/perfomance)
Beyond its pedagocical unique relevance, the MA Curatorial Praxis plays an important role in the cultural scene of the city of Bergen, by lifting further up its intellectual complexity.
Ekaterina
Sharova
-
Art Historian/ Lecturer
comments
Ask
Selnes
-
artist
comments
Apichaya
Wanthiang
-
Artist
comments
Jan
Freuchen
-
Artist
comments
Patrik
Entian
-
artist
comments
Fredrik
Svensk
-
Associate Professor, Critic, Curator, Editor-in-Chief.
comments
Roos
Gortzak
-
Director & Curator Vleeshal
comments
Trine Otte Bak
Nielsen
-
Curator
comments
Adeline
Lépine
-
Director of 19, contemporary art centre, Montbéliard, France
Save this amazing and unique MA!
Kobie
Nel
-
Kunstner
comments
Annika
Borg
-
Billedkunstner
comments
Natalie
Eliassen
-
Kunstner og potensiell kuratorstudent i Bergen
Jeg vil søke om å bli kurator her, har hørt masse possetivt om kuratorstudioet i Bergen,
Sarah
Rifky
-
Curator and Art Historian
comments
Camilla
Maahr
-
Studerende på KMD
comments
Isin
Onol
-
Director of Curatorial Research, MA Curatorial Practice, SVA
comments
Liisa-Ravna
Finbog
-
Scholar and Curator
comments
Marianne
Bjørnmyr
-
Artist
comments
Ina
Blom
-
artist
comments
Hilde Marie
Pedersen
-
Kunsthistoriker
comments
Lisbeth
Nordli
-
artist
comments
Mario
De la Ossa
-
graduate student
comments
Nesteren
Hasani
-
Curator
comments
Lotte
Konow Lund
-
Artist
comments
Renato
Bonafede
-
Driftsjef
comments
Mack
McFarland
-
Director of PPSTMM
comments
Sara
Greavu
-
Curator - Project Arts Centre, Dublin; Ireland at Venice
Undertaking the MA Curatorial Practice was a pivot point in my career, connecting me to practices, networks and ideas that allowed me to thrive. It is crucially important that it can continue to provide these opportunities for emerging curators.
Karoline
Bakken Lund
-
Artist / teacher at Khio
comments
Justine
Nguyen
-
artist
comments
Isak
Bradley
-
artist
comments
Birta
Gudjonsdottir
-
Curator
birta@this.is
Mari
Svenningsen
-
artist
comments
Gunhild
Moe
-
Hotelier/curator
comments
Pia
Eikaas
-
Billedkunstner
comments
Jeremy
Welsh
-
Artist
The curator programme has been a central part of the art education at the Bergen academy and is too important to lose.
Lesia
Vasylchenko
-
Artist, curator
comments
Jørgen
Blitzner
-
Artist and Curator
comments
Hans D.
Christ
-
Director Württembergischer Kunstverein, Stuttgart
comments
Linn
Ulvin
-
artist, author and freelance curator
comments
Fredrik
Floen
-
Artist / Assistant professor KHIO
comments
Thora
Dolven Balke
-
Artist / Curator
comments
Frida
Rusnak
-
Director, Oslo Open
Norway needs a practice based curatorial programme
Tatiana
Lozano
-
Curator
This program is dear to my heart and I was lucky to benefit from it. The MA Curatorial Practice is known to be a relevant program with international resonance, unique to Norway! Taking it down will be an impactful loss for professional development.
Stephanie
von Spreter
-
Art historian & curator
comments
Kirsten
Wandschneider
-
Head of Project - Bergen Assembly
comments
Hanne
Mugaas
-
Director, Kunsthall Stavanger
comments
Hanne Hammer
Stien
-
Professor, Kunstakademiet, UiT
comments
hellesiljeholm@gmail.com
Siljeholm
-
Artist
comments
Steffen
Håndlykken
-
Artist
comments
Hanne Cecilie
Gulstad
-
Kurator, Kunstsilo
comments
Ingrid
Moe
-
artist
comments
Gillian
Carson
-
Visual Artist
comments
Nayara
Leite
-
Artist
comments
Mishi
Foltyn
-
Styreleder - Trøndelag Bildende Kunstnere
comments
Elisa
Rusca
-
Chief curator, International Red Cross and Red Crescent Museum Geneva
comments
marianne
zamecznik
-
kurator Trondheim Kunstmuseum
Dette studiet er helt avgjørende for det norske visuelle kunstfeltet.
Martin Woll
Godal
-
Artist
comments
Ena Johanna
Rathgeb
-
artist
comments
Irene
Campolmi
-
Senior curator at Køs Museum of Art in Public Spaces in Denmark
comments
Elise By
Olsen
-
Founding director, International Library of Fashion Research
comments
Geir Tore
Holm
-
artist
comments
Elise Matilde
Malik
-
PhD candidate in museology/curatorial studies at Vitenparken and UiO
comments
Synnøve Marie
Vik
-
Academic director
comments
Adriana
Alves
-
Curator North Norwegian Art Centre
comments
Trine Friis
Sørensen
-
Assistant Professor
comments
Asrin
Haidari
-
Curator Moderna Museet
comments
Hanne Gudrun
Gulljord
-
Utstillingsleder
comments
Ida
Højgaard Thjømøe
-
Curator
comments
Ng'onga
Silupya
-
Independent curator and Arts Administrator
comments
Tudor
Elian
-
curator / architect / academic
comments
Andrea
Conradsen
-
Kunstner / freelanser
comments
Anne-Gro
Erikstad
-
Curator, artist
This course shaped the way I think about curatorial practice. It needs to continue!
Anette Therese
Pettersen
-
Critic
comments
Mihai
Mihalcea
-
Artistic Director - The National Centre for Dance Bucharest
comments
Mia
Øquist
-
Artist and teacher cultureschool
comments
Becca
Clark
-
Curator / Producer
comments
Vibeke
Hermanrud
-
Kunstfaglig rådgiver Asker kommune
Dette er et viktig studie for kunstfeltet i hele Norge og utenfor landets grenser. Personlig var det ekstremt lærerikt og givende å være student i perioden 2019-2021
Johnny
Earlie
-
Operations manager
comments
Jo Ravn
Abusland
-
Artist
comments
Ditte
Knus Tønnesen
-
Artist & Art Curator Heartland festival
As a previous student I can say this program was instrumental in shaping my professional development. The MA Curatorial Practice fosters a community of engaged professionals and strenghtens the art field.
Hanne Storm
Ofteland
-
Chief Librarian / Freelance Art Historian
comments
Deise
Nunes
-
Artist-researcher
comments
Karoline
Skuseth
-
Director of development, BIT Teatergarasjen
comments
Vilmos
Koter
-
media artist
comments
Kjell-Erik
Ruud
-
artist
comments
Abdellah
Karroum
-
Curator
comments
Vilde Salhus
Røed
-
Visual artist
comments
Maren Dagny
Juell
-
Artist
comments
Mona Orstad
Hansen
-
Styreleder, Open Studios Stavanger
comments
Kwestan Jamal
Bawan
-
artist
comments
Kinga
Toth
-
artist, writer, performer
comments
Bergljot
Jonsdottir
-
Daglig leder
comments